Affirmations

“I hope these exercises will help strengthen our intentionwhat we bring emotionally and poetically to our playing, the unspoken, the subtext—and encourage us to think less about how we make music and more about why.”

Chamber2025
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Program Note

Affirmations is a collection of 13 poems written by Andy Wilkinson with music composed by Michael Markowski. Together, they are intended to become a part of an ensemble’s daily warm-up routine just like scales, long-tones, breathing exercises, or chorales. Each line in these poems should be spoken by a chosen Speaker and repeated back by the Players three ways: first, spoken; second, the melody played in unison (A); and third, played in harmony (B).

The music notation is stemless, without a determined rhythm; only pitches are prescribed. Each pitch corresponds with a syllable from the poem. The Speaker will recite the first line, the Players will play the first phrase in unison. The Speaker will recite the second line, the Players will play the second phrase, and so on. The rhythms played should echo the rhythm of the words. After the Players have absorbed and internalized the poetry, a fourth and final statement of the harmonized music should be played through completely. This fourth repetition should be without the Speaker and without a conductor—chamber music style.

My hope is that, over time, these exercises will strengthen our attentionour attention to rhythmic nuance, our attention to phrase and melody, our attention to each other as we learn to listen more deeply, and our attention to flexibility and possibility as we work to escape rigid thinking and playing. Perhaps more importantly, I hope these exercises will help strengthen our intentionwhat we bring emotionally and poetically to our playing, the unspoken, the subtext—and encourage us to think less about how we make music and more about why.

Text

Affirmations
By Andy Wilkinson

Whence we begin — the starting point

“Now-Here-This”

There is no other time
Than now.
There is no other place
Than here.
There is no other life
Than this.

“Something to Say”

I know the world
By how it makes me feel.
I say with music how I feel ;
I have something to say :
Something you can feel,
Something you can know.

“Architecture”

The rhythm in the beating heart ;
The architecture in the chords ;
The melody in soaring line ;
The music in the space between.

“Process-Not-Product”

Process rules, master of product.
The product serves the master.
When I follow process, the product is certain.
Process-not-product.
Process-not-product.
The only way forward.

Coddiwompling

“There Is this Moment Only”

I play how I feel, now ;
I sing how I feel, now ;
Not how I used to feel,
Not how I hope to feel,
Not how I ought to feel.
I am how I feel now.

“No Worry”

I will not worry
Should or shan’t.
I will not worry
Could or can’t.
I will not worry
Would or won’t.
I’m always do, I’m
Never don’t.

“Assembly Line”

Music is nothing
But one true note
Then another true note
Then another true note
With spaces in all the true places
Until the music is made.

“Practice”

With practice I become
Myself.
When I become myself,
I grow
Beyond perfection, grow
Unbound.
In practice, there are no
Mistakes.

“I Live in Music”

I live in music.
Music lives in me.
I speak through music.
Music speaks through me.
For music is the oldest poetry.

Where we go — the stopping point

“The Way”

You will not know me by the notes I play ;
You’ll know me by the way I play the notes.
You will not know me by the song I sing ;
You’ll know me by the way I sing the song.
Not by the music that I make
But by the way I make the music.

“John Donne It”

I am not an island.
I am not a singularity.
I’m incomplete when I’m alone.
I’m incomplete when I’m alone.
I am not fully me
Until I am in harmony.

“Manifesto”

I am this instrument ;
This instrument is me.
I am the bow, the strings ;
I am the valves and slides ;
I am the fingered keys.
I am this instrument ;
This instrument is me.

What comes next?

“A Higher Level”

The last step of a journey
Is the first step of the next.
I take a breath
Begin again.
I’m at a higher level…
I’m at a higher level…
I’m at a higher level now.
A higher level now.
A higher level now.

About the Author

I am a poet, song writer, singer, playwright, and visual artist whose native country is the Llano Estacado, the flattest land on Earth. My distant uncle, Charlie Goodnight, said “the people of the Plains will have to solve the problems of the people of the East for on the Plains a person is forced to see a great long distance, and such seeing makes the mind active.” I agree, and have found our 360 degrees of horizon and 180 degrees of sky to be the principal drivers of my curiosity, and my creativity.

I’ve recorded a baker’s dozen albums of original music, all of which remain fashionably obscure. I perform often as a solo singer-songwriter, though almost as often as part of bands or small ensembles. I frequent folk festivals and cowboy poetry gatherings, along with coffee joints and wine bars and house concerts. Of late, I have been partnering with a composer-arranger from Brooklyn — on the eastern boundary of the Llano Estacado — to write choral pieces, among them a cantata for migrants. Having come of age in the 1960s, I am a mixed-breed musical mutt, bred by folk song and pop radio hits and rock-and-roll and old cowpunch ballads.

Regarding the printed page, I’ve written seven plays that have been performed on a variety of stages across the nation, all by excellent actors, many of whom are well-known. In addition to magazine articles and chapters in various non-fiction books, I’ve written a half-dozen monographs published by three different presses, ranging from non-fiction to memoir to novels to poetry. My visual art works are principally done in gouache, pencil, or pastel, many done en plein air, none of which hang in museums — famous or otherwise — but most all of which have found homes with my small but significant and delightful group of patrons.

I’ve also had a variety of day-jobs: chopping cotton as a kid, sacking and checking groceries as a teenager, a dozen years in police work as a young man, and a decade in financial services in middle age. Since 1991, I have made my way in the arts as a performer and practitioner. As part and parcel of my creative works, I have been affiliated with Texas Tech University, having served as Artist in Residence at the Southwest Collection, as an instructor in songwriting in the School of Music, and as a teacher in the Honors College. Retired from my regular duties with the University, I continue teaching.

Though I’m not the least bit famous, I’m grateful to have stumbled into several famous awards, among them the Kerrville Folk Festival’s New Folk Contest, the Texas Historical Foundation’s John Ben Shepperd Jr. Craftsmanship Award, and seven National Western Heritage Wrangler Awards in five different categories.

Flute 1 & 2

Oboe

Bassoon

B-flat Clarinet 1-2

B-flat Bass Clarinet

E-flat Alto Saxophone 1 & 2

B-flat Tenor Saxophone

E-flat Baritone Saxophone

B-flat Trumpet 1-2

F Horn

Trombone 1-3

Euphonium

Tuba

Percussion 1: Timpani, Brake Drum

Percussion 2: Glockenspiel, Wood Block

Percussion 3: Marimba, Tam-Tam, Amplified Lion’s Roar

Percussion 4: Suspended Cymbal, Mark Tree, Hi-Hat

Percussion 5: Snare Drum

Percussion 6: Bass Drum, Triangle

Year Completed
2025
Publisher

Markowski Creative (ASCAP)

Errata

No known errata.