Ekklesia

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“When we make music, we become part of a whole that is greater than ourselves, and when we're done, when the final measure has been played, we leave richer than when we began.”

Choir2025Hard3:15

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Performed by the Pittsburgh Camerata
Conducted by Mark A. Anderson

0:000:00

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Program Note

The Greek word ekklesia means a coming-together, a political gathering in their original usage, later coming to mean a spiritual gathering to the early Christians that soon also came to include the body of the church. All gatherings move in storytime: the beginning, which is the coming together, the togetherness itself, and the going-away, the end of the gathering. One of the most important things about story—and about any and every coming-together—is that the world is forever changed by each one. The Universe is the sum total of all the stories that have come before. There is no better example, in our view, than the performance of music, which is always a coming-together. Indeed, music that is done only by the individual we call practice; the minimum for music is at least one player and one listener. When we make music, we become part of a whole that is greater than ourselves, and when we're done, when the final measure has been played, we leave richer than when we began.

Text

EKKLESIA!
by Andy Wilkinson

Here we are, the final measure
Before tonight turns yesterday.
We will leave forever better
As we go,
As we go, our separate ways

We have gathered, one and another,
In this moment, for this song,
Voices joining all together.
Now the many,
Now the many become the one

Ekklesia! Ekklesia! We are each part of the other.
Ekklesia! Ekklesia! Every other is part of us,
As we go,
As we go.

About the Author

I am a poet, song writer, singer, playwright, and visual artist whose native country is the Llano Estacado, the flattest land on Earth. My distant uncle, Charlie Goodnight, said “the people of the Plains will have to solve the problems of the people of the East for on the Plains a person is forced to see a great long distance, and such seeing makes the mind active.” I agree, and have found our 360 degrees of horizon and 180 degrees of sky to be the principal drivers of my curiosity, and my creativity.

I’ve recorded a baker’s dozen albums of original music, all of which remain fashionably obscure. I perform often as a solo singer-songwriter, though almost as often as part of bands or small ensembles. I frequent folk festivals and cowboy poetry gatherings, along with coffee joints and wine bars and house concerts. Of late, I have been partnering with a composer-arranger from Brooklyn — on the eastern boundary of the Llano Estacado — to write choral pieces, among them a cantata for migrants. Having come of age in the 1960s, I am a mixed-breed musical mutt, bred by folk song and pop radio hits and rock-and-roll and old cowpunch ballads.

Regarding the printed page, I’ve written seven plays that have been performed on a variety of stages across the nation, all by excellent actors, many of whom are well-known. In addition to magazine articles and chapters in various non-fiction books, I’ve written a half-dozen monographs published by three different presses, ranging from non-fiction to memoir to novels to poetry. My visual art works are principally done in gouache, pencil, or pastel, many done en plein air, none of which hang in museums — famous or otherwise — but most all of which have found homes with my small but significant and delightful group of patrons.

I’ve also had a variety of day-jobs: chopping cotton as a kid, sacking and checking groceries as a teenager, a dozen years in police work as a young man, and a decade in financial services in middle age. Since 1991, I have made my way in the arts as a performer and practitioner. As part and parcel of my creative works, I have been affiliated with Texas Tech University, having served as Artist in Residence at the Southwest Collection, as an instructor in songwriting in the School of Music, and as a teacher in the Honors College. Retired from my regular duties with the University, I continue teaching.

Though I’m not the least bit famous, I’m grateful to have stumbled into several famous awards, among them the Kerrville Folk Festival’s New Folk Contest, the Texas Historical Foundation’s John Ben Shepperd Jr. Craftsmanship Award, and seven National Western Heritage Wrangler Awards in five different categories.

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Commissioned by

For Dr. Jeffery Wall and the Vox Solaris Chamber Choir

Premiere

Ekklesia premiered on February 9, 2025 at Shadyside Presbyterian Church (Pittsburgh, Pennsylvania) performed by the Pittsburgh Camerata conducted by Mark A. Anderson.

Year Completed
2025
Publisher

Markowski Creative (ASCAP)

Errata

No known errata.