The Coppersmiths

“These are 'the coppersmiths' who bend and hammer and shape us from something raw and rugged into something beautiful, compassionate, and purposeful so that we may someday shine brighter than we ever knew possible.”

Band2026Hard8:00
Score 11x17$80

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Performed by The Arizona Wind Symphony
Jon Gomez, conductor

NotablePerformances

Program Note

If you drive out of Phoenix, Arizona, you’ll find the mysterious Superstition Mountains hovering above the eastern horizon. Keep on their southern side toward Superior (stopping for a quick burrito and horchata at Jalepeño’s) and merge onto scenic Highway 177. From here, you’ll enter the White Canyon Wilderness and some of the most beautiful desert landscape you may ever find. When you start to spot patches of rusty orange silt on the side of the road, you’ll have reached the small mining town of Ray, named for the Ray Copper Company. Founded in 1882 (and, remarkably, still in operation today), the Ray open-pit mine is home to one of the largest copper reserves in the United States, earning Arizona its affectionate nickname as “The Copper State.”

Keep driving past the mine and you’ll find the Gila River guiding you toward the next nearest town, Kearny, the home of Ray High School. This is where—for over 30 years—Mr. Mark Muñoz taught music to hundreds and hundreds of young people. It’s where he taught clarinet to a young Jon Gomez. Mr. Jon Gomez, of course, would eventually go on to teach music himself at Dobson High School in Mesa, Arizona, where a young rough, ready, and rather unrefined Michael Markowski was eager to play saxophone and study scores.

In August of 2025, just as I was beginning to work on this piece, Mr. Muñoz passed away. Remembering him, Jon wrote, “I will forever be profoundly grateful for the potential Mr. Muñoz saw in me, long before I realized it myself. With patience, positivity, and encouragement, he helped me develop and cultivate what would eventually become my passion.”

I kept thinking about how grateful I am for my own Mr. Muñoz: Mr. Gomez—grateful to him and to all the people in my life I’ve been lucky to call teachers and mentors. Like Mr. Muñoz before him, Jon can see something precious deep inside his students. He can sense unrealized potential waiting to be extracted—a hunger to express our true selves and a desire to share that expression with others.

This piece is a celebration, but it’s a sentimental one. It’s a tribute to all the people who leave their mark on our lives—our teachers, our families, our friends and neighbors, and even our pets. To me, these are the architects of our character. These are the people who see something in us before we see it ourselves. These are “the coppersmiths” who bend and hammer and shape us from something raw and rugged into something beautiful, compassionate, and purposeful so that we may someday shine brighter than we ever knew possible.

Text

COPPERSMITH
By Andy Wilkinson

I am a coppersmith.
I make things from the Earth
As I myself was made

From dust of stars
That settled in the rock —
Blue azurite, green malachite
And gray-black chalcocite —
Their first light sleeping deep inside
My blood-ore subterranean.

Then thrust and scrape of shovel,
Crush of grinding mill,
The smelting furnace fire,
The strike and blow and tap of hammer head

My art and craft and skill
From long lines of apprenticeship
That made of me a coppersmith
Who makes things from the Earth
As I’ve been made myself.

About the Author

I am a poet, song writer, singer, playwright, and visual artist whose native country is the Llano Estacado, the flattest land on Earth. My distant uncle, Charlie Goodnight, said “the people of the Plains will have to solve the problems of the people of the East for on the Plains a person is forced to see a great long distance, and such seeing makes the mind active.” I agree, and have found our 360 degrees of horizon and 180 degrees of sky to be the principal drivers of my curiosity, and my creativity.

I’ve recorded a baker’s dozen albums of original music, all of which remain fashionably obscure. I perform often as a solo singer-songwriter, though almost as often as part of bands or small ensembles. I frequent folk festivals and cowboy poetry gatherings, along with coffee joints and wine bars and house concerts. Of late, I have been partnering with a composer-arranger from Brooklyn — on the eastern boundary of the Llano Estacado — to write choral pieces, among them a cantata for migrants. Having come of age in the 1960s, I am a mixed-breed musical mutt, bred by folk song and pop radio hits and rock-and-roll and old cowpunch ballads.

Regarding the printed page, I’ve written seven plays that have been performed on a variety of stages across the nation, all by excellent actors, many of whom are well-known. In addition to magazine articles and chapters in various non-fiction books, I’ve written a half-dozen monographs published by three different presses, ranging from non-fiction to memoir to novels to poetry. My visual art works are principally done in gouache, pencil, or pastel, many done en plein air, none of which hang in museums — famous or otherwise — but most all of which have found homes with my small but significant and delightful group of patrons.

I’ve also had a variety of day-jobs: chopping cotton as a kid, sacking and checking groceries as a teenager, a dozen years in police work as a young man, and a decade in financial services in middle age. Since 1991, I have made my way in the arts as a performer and practitioner. As part and parcel of my creative works, I have been affiliated with Texas Tech University, having served as Artist in Residence at the Southwest Collection, as an instructor in songwriting in the School of Music, and as a teacher in the Honors College. Retired from my regular duties with the University, I continue teaching.

Though I’m not the least bit famous, I’m grateful to have stumbled into several famous awards, among them the Kerrville Folk Festival’s New Folk Contest, the Texas Historical Foundation’s John Ben Shepperd Jr. Craftsmanship Award, and seven National Western Heritage Wrangler Awards in five different categories.

Flute 1 & 2

Oboe 1 & 2

Bassoon 1 & 2

B-flat Clarinet 1-3

B-flat Bass Clarinet

B-flat Contrabass Clarinet

E-flat Alto Saxophone 1 & 2

B-flat Tenor Saxophone

E-flat Baritone Saxophone

B-flat Trumpet 1-3

F Horn 1-4

Trombone 1-3

Euphonium

Tuba 1 & 2

String Bass

Timpani

Percussion 1: glockenspiel

Percussion 2: vibraphone

Percussion 3: marimba, suspended trash cymbal

Percussion 4: chimes

Percussion 5: suspended cymbal, snare drum, tam-tam

Percussion 6: brake drum, bass drum, small triangle

Premiere

The Coppersmiths premiered in Tempe, Arizona on February 5, 2026, and was performed by the Arizona Wind Symphony conducted by Jon Gomez.

Year Completed
2026
Publisher

Markowski Creative (ASCAP)