Wander-Land

A Cantata for Migrants

“From the Big Bang to the formation of the stars to their collecting into galaxies with their solar systems of planets and asteroids and comets, even to the wanderings of the continents on those planets, the entire Universe is made of migration.”

Choir2026Hard27:00

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The Pittsburgh Camerata
Mark A. Anderson, artistic director
Andy Wilkinson, poet

0:000:00

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Program Note

This is our third choral collaboration. The first two — Ekklesia and Where the Two Roads Cross — followed a typical pattern, with me writing librettos which Michael set to music. Wander-Land was different from the start. We’d received a commission from Mark Anderson of the Pittsburgh Camerata for a new work to be premiered during their 2026 summer program. There was no instruction as to topic or style or length. It was an exhilarating opportunity. Yet we quickly realized that the process had to be different. Starting from scratch required an idea — a topic, a concept — with content and form to follow. The music and words would have to grow up together.

There is nothing so exciting than a blank page, for it has no limits. Nor nothing so frightening, for the same reason. Starting from scratch demands lots of head-scratching. We began by discussing a variety of ideas, with one guiding notion coming to forefront each time we talked. It is this : these are troubling times, not only in the United States, but around the world, and we believe — with all our hearts and minds — that art, and particularly the arts of sung music and spoken poetry, is the best way, and perhaps the only way, to heal our problematic world.

But which of these troubles? There are so many now-a-days. We answered that, for ourselves at least, by whittling the field down to an issue that addresses both the current moment and the long history of being human. We chose to think about, to talk about, to write about, to sing about, migration.

It’s not just breaking news, not just a contemporary issue. Our kind has been migrating from the very beginning. So have all living things. For that matter, as have all non-living things. From the Big Bang to the formation of the stars to their collecting into galaxies with their solar systems of planets and asteroids and comets, even to the wanderings of the continents on those planets, the entire Universe is made of migration. We humans are therefore first-and-foremost made by-and-of migration. And therefore it is why the way that we treat migrants is the fundamental way we treat ourselves and all other living things. The Universe is a Wander-Land, and we are no better than how we treat all migrants.

The process became — as Mike put it — the truest sort of mashup of who we are and what we do, given his background in concert band and classical choral composition, and mine as a poet and singer-songwriter. Wander-Land clearly shows the meeting of two different creative minds, combing choir, spoken work, instrumentation, and the sensibilities of folk music. Mike even let me write the melody for the fourth movement, Exodus, which he expanded for choir and instruments. And all along, Mike was an equal partner in the word-smithing.

We’re looking forward to our next mash-up with just as much exhilaration, just as much trepidation, and just as much hope.

Andy Wilkinson
July 31, 2026

Text

Pre-Show
House lights up ; stage lights dim, almost dark ; for walk-in music, a low, largely indecipherable, mumbling-rumbling crowd-like sound of the Auld Clootie Chorus, all of its text jumbled and which may be pre-recorded

Opening
As the house lights dim, the Poet takes the podium ; after a longish beat, begins the Prologue. As the Poet begins, the Auld Clootie Chorus dies down.

Prologue (The Poet)

From nothing everything has come.
Not all at once, but for the Word
Which set the dark and calm aflame
In light and motion ; Universe
Of brightness in the blackness came
Nomadic particles, at first,
Till gathering in waves of time
As dust — the stuff of you and me —
Our dust then stars, our migrant stars
Then galaxies, arms spiraling
A-spin, a-swirl with meteors
And comets set to rove and roam,
Wayfarers wandering the void
Until they built this Earth, this home.

First Spoken Interlude (The Poet)

Continents adrift on lakes of fire,
Colliding, separating,
Crinkling into mountain ranges,
Wrinkling in subduction zones,
Building up, tearing down —
Gravity and fire and water,
The wander-lust of earth —
We all are wanderers
Born to this Wander-Land.

I. Made of Motion
The Choir sings :

Our Wander-Land
Is made of motion.
Of sandhill crane,
Of horse and bison ;
Nomads and migrants,
Follow the seasons ;
Sun, moon, and star
For their guidons.

Our Wander-Land
Was made from motion :
In silent stillness
The Word was spoken ;
So came the Light,
So came the Garden ;
Came everything
Out of nothing.
Our Wander-Land
Is made of motion.
Our Wander-Land
Is made of motion.

Second Spoken Interlude (The Poet)

Rocks clattering down mountainsides,
Tumbling into canyons and valleys,
Rolling into stream and river,
Seeking seas and seeking oceans,
Sinking back into the deeps
To rise again as mountaintops.
We are the mountains, first,
Before we are the rocks.

II. We Are
The Wanderers sing:

We are Wanderers,
We are migrants,
We are witnesses,
We are testaments,
We are faithful, true-believers.
We are pilgrims of horizon,
We are mothers,
We are fathers,
We, the children of us all,
In Wander-Land,
This Wander-Land,
Our Wander-Land,
Our Wander-Land.

Third Spoken Interlude (The Poet)

We are the wind
Before we are the song ;
We are the thunder, first,
Before we are the drum ;
We are the swirling planets,
Wheeling, whirling stars,
Before we are tornado, hurricane,
High pressure zone and low ;
We are the wind, before it all.
The order of the UniverseIs motion and migration —
A Wander-Land of changing places,
Changing states and changing faces ;
Rules and regulations shan’t displace
The grace of God’s creation ;
Borders are the enemies of grace.

III. Born to Wander
The Choir sings :

We are the tribe,
We are the tribe
Of wide horizon ;

The wind, our song ;
The sky, our poem ;
The trail, our psalm ;
And foot-steps
Our holy anthem.

We are born to wander,
We are born as travelers ;
We are born to wander,
Bid us welcome.
For every stranger
Is a pilgrim
We are from the tribe
Of wide horizon.

Fourth Spoken Interlude (The Poet)

No evil lives
In the Natural world ;
Evil lives only in us.
When, armed with our grievances,
Wearing our anger for armor,
When then we surrender
Our awe to fear,
Our love to lust,
Our gift to greed ;
When we replace others
With only ourselves,
Then, only then, will evil arise.
Then evil will rise up in us.

Violin Interlude
Instrumental

IV. Exodus
Sung by the Poet and the Choir :

Migrants and immigrants
Ever since the Garden —
Exodus, exodus,
Into Wander-Land.
Fleeing from the Pharaoh
Moses crossed the water —
Exodus, exodus,
Into Wander-Land.
Mary, Joseph, Jesus,
One step ahead of Herod —
Exodus, exodus,
Into Wander-Land.

With no place to lay His head,
The Son of man, our Savior —
Exodus, exodus,
Into Wander-Land.

We are never any better
Than how we treat the stranger —
Exodus, exodus,
Into Wander-Land.

Walking, walking Palestine,
Christ, our Redeemer —
Exodus, exodus,
Into Wander-Land.
In His footsteps, following
Crossing fence and border —
Exodus, exodus,
Into Wander-Land.

Nameless, homeless masses,
Frightened, tired, and hungry —
Exodus, exodus,
Into Wander-Land.

With no place to lay our heads,
The children of our Maker —
Exodus, exodus,
Into Wander-Land.

We are never any better
Than how we treat the stranger —
Exodus, exodus,
Into Wander-Land.

V. All Are Welcome

We are the tribe
Of wide horizon ;
The wind, our song ;
The sky, our poem.
The trail, our psalm,
Our holy anthem
Where all are strangers,
Where all are pilgrims ;
There, all are settlers ;
There, all are welcome.

About the Author

I am a poet, song writer, singer, playwright, and visual artist whose native country is the Llano Estacado, the flattest land on Earth. My distant uncle, Charlie Goodnight, said “the people of the Plains will have to solve the problems of the people of the East for on the Plains a person is forced to see a great long distance, and such seeing makes the mind active.” I agree, and have found our 360 degrees of horizon and 180 degrees of sky to be the principal drivers of my curiosity, and my creativity.

I’ve recorded a baker’s dozen albums of original music, all of which remain fashionably obscure. I perform often as a solo singer-songwriter, though almost as often as part of bands or small ensembles. I frequent folk festivals and cowboy poetry gatherings, along with coffee joints and wine bars and house concerts. Of late, I have been partnering with a composer-arranger from Brooklyn — on the eastern boundary of the Llano Estacado — to write choral pieces, among them a cantata for migrants. Having come of age in the 1960s, I am a mixed-breed musical mutt, bred by folk song and pop radio hits and rock-and-roll and old cowpunch ballads.

Regarding the printed page, I’ve written seven plays that have been performed on a variety of stages across the nation, all by excellent actors, many of whom are well-known. In addition to magazine articles and chapters in various non-fiction books, I’ve written a half-dozen monographs published by three different presses, ranging from non-fiction to memoir to novels to poetry. My visual art works are principally done in gouache, pencil, or pastel, many done en plein air, none of which hang in museums — famous or otherwise — but most all of which have found homes with my small but significant and delightful group of patrons.

I’ve also had a variety of day-jobs: chopping cotton as a kid, sacking and checking groceries as a teenager, a dozen years in police work as a young man, and a decade in financial services in middle age. Since 1991, I have made my way in the arts as a performer and practitioner. As part and parcel of my creative works, I have been affiliated with Texas Tech University, having served as Artist in Residence at the Southwest Collection, as an instructor in songwriting in the School of Music, and as a teacher in the Honors College. Retired from my regular duties with the University, I continue teaching.

Though I’m not the least bit famous, I’m grateful to have stumbled into several famous awards, among them the Kerrville Folk Festival’s New Folk Contest, the Texas Historical Foundation’s John Ben Shepperd Jr. Craftsmanship Award, and seven National Western Heritage Wrangler Awards in five different categories.

Commissioned by

The Pittsburgh Camerata conducted by Mark A. Anderson

Premiere

Wander-Land premiered in Pittsburgh, Pennsylvania on June 3, 2026, and was performed by the Pittsburgh Camerata conducted by Mark A. Anderson.

Year Completed
2026
Publisher

Markowski Creative (ASCAP)